8 edition of The chapel of St. Anthony at the Santo and the development of Venetian Renaissance sculpture found in the catalog.
The chapel of St. Anthony at the Santo and the development of Venetian Renaissance sculpture
Sarah Blake McHam
Published
1994
by Cambridge University Press in Cambridge [England], New York
.
Written in English
Edition Notes
Includes bibliographical references (p. 249-263) and index.
| Statement | Sarah Blake McHam. |
| Classifications | |
|---|---|
| LC Classifications | NB621.V5 M35 1994 |
| The Physical Object | |
| Pagination | xvi, 432 p., 8 p. of plates : |
| Number of Pages | 432 |
| ID Numbers | |
| Open Library | OL1737901M |
| ISBN 10 | 0521418534 |
| LC Control Number | 92043078 |
created to serve as the central object of devotion in an hospital built by the Brothers of St. Anthony. Isenheim Altarpiece Mannerist paintings such as Jacopo da Pontormo's, Entombment of Christ, in the Capponi chapel, Santa Felicita. Weil-Garis's monograph (The Casa Santo at Loreto [New York, ]) in her otherwise admirable bibliography. While all aspects of the Chapel of St. Anthony in the Santo are powerfully presented in this book, the author's parallel aim to chart the more general development of Venetian Renaissance sculpture is less successful.
The Chapel of Saint Anthony is a splendid Renaissance work begun in and completed towards the end of that century. The architect was probably Tullio Lombardo, whose model was adopted by A. Riccio (Briosco).The chapel was embellished with the works of some of the greatest Venetian . Church of San Francesco della Vigna by Cat Bauer ©Cat Bauer (This is an excerpt of an article I wrote which was published by International Herald Tribune's Italian supplement Italy Daily, on J ) Editor's note: Save Venice, Inc., an American non-profit organization dedicated to the preservation and restoration of the city's monuments, contributed to this article.
S. Blake McHam, The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture, Cambridge, A. Luchs, Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, , Cambridge, A. Markham Schulz, Giammaria Mosca called Padovano: A Renaissance Sculptor in Italy and Poland, University Park. A. Grunewald's Isenheim altarpiece: commissioned by hospital chapel of Saint Anthony's in Isenheim. Hospital treated ergotism ("St. Anthony's fire"). Polyptych with wooden shrine and statues at center. Two pairs of panels open at center and have painted scenes on each side. Closed view shows crucifixion with gruesome and expressive details.
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: The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture (): Sarah Blake McHam: BooksCited by: 2.
"The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture is an interdisciplinary study of one of the most important pilgrimage sites in Western Christendom. The chapel is also universally acknowledged as one of the major monuments of Renaissance Italy.
The Chapel Of St. Anthony At The Santo And The Development Of Venetian Renaissance Sculpture McHam, Sarah Blake. Most of her research has focused on Italian fifteenth- and sixteenth-century sculpture in Florence, Venice, and in the Veneto in books like The Chapel of St.
Anthony at the Santo and the Development of Venetian Renaissance Sculpture and Looking at Italian Renaissance Sculpture. Book Purchasing ; News ; Photography ; Checkout; Login; £ (0 Items) View Cart. Item(s) successfully added to the cart. The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture.
By: McHam, Sarah Blake. Price: £ Quantity: 1 available. Book Condition: Very Good. The SAS Honors Program encourages creative, talented, and motivated students to take full advantage of all that Rutgers, a major public research university, has to offer while fostering a strong sense of community and leadership among our Honors Scholars.
The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture. Sarah Blake McHam, professor of art history, Rutgers University, edited Looking at Italian Renaissance Sculpture and contributed an essay on public sculpture to the volume.
She is also the author of The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture [Department of Art History, Voorhees Hall, Rutgers University, New Brunswick, N.J.
Cited by: Statuette, Kneeling Satyr, bronze, based on a model by Severo da Ravenna (active ), Italy (possibly Ravenna), ca. Bibliographic References (Citation, Note/Abstract, NAL no) Binnebeke, Emile von. Bronze Sculpture: Sculpture from in the Collection of the Boymans-van-Beuningen Museum, Rotterdam,pp.cat.
PARADISE REVEALED - Natural History in nineteenth century Australia by FINNEY, COLIN THE CHAPEL OF ST. ANTHONY AT THE SANTO AND THE DEVELOPMENT OF VENETIAN RENAISSANCE SCULPTURE by McHAM, Sarah Blake THE LITTLE BUSH POPPY by GRAHAM, Edith WHALES by Slijper, E.J.
She is also the author of The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture [Departmentof. Her book, The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture (Cambridge University Press, ), was the first historical assessment of the design and decoration of the burial chapel of St.
Anthony of Padua, a major artistic commission of sixteenth-century Italy. She has also published many essays and articles on fifteenth-century and sixteenth-century. Sarah Blake McHam, professor of art history, Rutgers University, edited Looking at Italian Renaissance Sculpture and contributed an essay on public sculpture to the volume.
She is also the author of The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture [Department of Art History, Voorhees Hall, Rutgers University, New Brunswick, N.J.
[email protected] rutgers Cited by: The chapel of St. Anthony at the Santo and the development of Venetian Renaissance sculpture by Sarah Blake McHam (Book); Donatello: l'altare del Santo by Donatello (Book); Le Pitture del Santo di Padova (Book).
Make offer - Etruscan Sculpture Art Book Phaidon Edition Ludwig Goldscheider Plates CHAPEL OF Y AT THE SANTO & DEVELOPMENT VENETIAN RENAISSANCE SCULPTURE. The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance 17 Sculpture (Cambridge: Cambridge University Press, ), Bourdua, Franciscans and Art Patronage in Late Medieval Italy, 92—6, The Chapel of St.
Anthony at the Santo and the Development of Venetian Renaissance Sculpture avg rating — 0 ratings — published Want to Read saving /5(10). The Chapel Of St. Anthony At The Santo And The Development Of Venetian Renaissance Sculpture.
Florentine Renaissance Sculpture (c) It was in the fourteenth and fifteenth centuries in Northern Italy that the larger cities were taking shape; new forms of Renaissance architecture flourished and sculptors were more closely linked with architects than they are today.
Thus it is not surprising that the beginnings of a recognizably Italian style are to be found in sculpture a little. Altar of the Chapel of St. Anthony - Sitio Santo Antonio - Sao Roque Small barred window with the inscription COSTA of the Chapel of Saint Anthony (Capela de Santo Antonio), Search Results for Chapel Santo Antonio Stock Photos and Images () Page 1 of 4.
1 2 3 4. Literature S.B. McHam, The Chapel of St Anthony at the Santo and the Development of Venetian Renaissance Sculpture, Cambridge and New York,pp. 39, fig. M. Ceriana, 'Profilo della scultura a Venezia tra il e il ', in Da Bellini a Veronese: temi di arte veneta, eds.
G. Toscano and F. Valcanover, Venice,p. 59, notefig. 40 (as 'Antonio .The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture Nurturance is a prime element in the editorial process. Margaret K. McElderry and the professional matriarchy of children's books.The Altarpiece in Renaissance Venice.
Gesta Dipinte La grande decorazione nelle dimore italiane dal Quattrocento al Seicento. The Chapel of St. Anthony at the Santo and the Development of Venetian Renaissance Sculpture.
Genealogie incredibili: Scritti di storia nel Europa moderna.
